வட்டாரம் (2006)

பழிவாங்குதலில் ஏதோ ஒரு கவர்ச்சி இருக்கத்தான் செய்கிறது. பழிவங்கும் உணர்ச்சி ஒரு இயல்பான உடனடி உணர்ச்சி என்கிறது மகாபாரதம் ஆனால் அதை ஆற அமர திட்டமிட்டு செய்வதில் கூடுதல் ஆனந்தம்தான். வஞ்சிக்கப்பட்டவர்க்கு தன் ஏதிரிகளை ஒன்றன்பின் ஒன்றாக களையறுப்பதுதான் கிடைக்கும் ஒரே ஆறுதலாக இருக்கக்கூடும்.

பர்மா (ஆர்யா) ஒரு சிறு, துப்பாக்கி கடத்தல்காரன். தமிழ் எழுத படிக்க தெரியாது, துப்பாக்கிகளைப் பற்றி தெரிந்துக்கொள்வதற்காகவே ஆங்கிலம் கற்றுக்கொண்டவன் (ஏனென்றால், தமிழில் அப்படிப்பட்ட புத்தகங்கள் வருவதில்லை).  அவனின் சிறு வயதிலே அவன் தந்தை தான் வேலை செய்யும் இடத்தில் ஒரு பொய் குற்றம் சாட்டப்பட்டு அவமானப்பட்டு இறக்கிறார்.  அவர் எஜமானர் குருபாதம் (நெப்போலியன்), பல தொழில் செய்யும் சமூக விரோதி.  பர்மாவுக்கு அவர்பால் ஒரு ஈர்ப்பு.  தானும் ஒரு நாள் குருபாதம் போல் வளரவேண்டும் என்று அவரிடமே வேலைக்கு சேர்கிறான்.  படிப்படியாக குருபாதத்திடம் செல்வாக்குப் பெற்று, தன் கனவிற்கு குறுக்கே வருவோரை வீழ்த்தி தன் தந்தைக்கு இழைக்கப்பட்ட அநீதிக்கு பழிவாங்குகிறான்.

"வட்டாரம்" ஒரு மிக சாதரணப் படம்தான்.  ஆனால், ரசிக்கவைக்கும் திரைக்கதையாலும், முக்கிய கதாப்பாத்திரங்களின் இயல்பான நடிப்பாலும் மீண்டும் மீண்டும் அலுப்பு தட்டாமல் பார்க்கவைக்கிறது.  அடிமட்ட அடியாளாக சேரும் பர்மா, குருபாதத்தின் நம்பிக்கையைப்பெற பல சோதனைகளைக் கடக்க வேண்டியிருக்கிறது. குறிப்பாக குருபாதத்தின் நீண்ட நாள் வலது கையான அயிராவணம் (என்ன பெயரோ?) பர்மாவை வெறுக்கிறார். பல அவமானங்களை, பழிகளை, சந்தித்தாலும், சற்றும் அசைந்துகொடுக்காமல், மெல்ல மெல்ல குருபாதத்தின் நம்பிக்கைக்கு பாத்திரமாகி பிறகு தன் பழிவாங்கலை துவக்குகிறான்.  தன் எதிரியை ஒருபக்கம் ரசித்துக் கொண்டே மறுபக்கம் அவருக்கு குழி பறிக்கும் காட்சிகள் மிக அருமை.

பரத்வாஜின் இசை இந்தப் படத்திற்கு பலம்.  "மகாகவி காளிதாஸ்" படத்தின் "யார் தருவார் இந்த அரியாசனம்" என்ற பக்திப் பாடலை இந்தப் படத்தில் இடை இடையே பர்மாவின் எண்ணவோட்டத்திற்கு தகுந்தவாறு, அவனின் வளர்ச்சியைக் குறிக்கும் பாடலாக பயன்படுத்தி, அப்போதெல்லாம் குருபாததின் நாற்காலியை காண்பிப்பது அற்புதம்.

ஆர்யாவின் உணர்ச்சியற்ற, அலட்ச்சிய நடிப்பு, "ஓரம்போ"வை போல் இந்த படத்திற்கும் ஏக பொருத்தம்.  நெப்போலியன், வழக்கமான வேட்டி, அரிவாள் இல்லாமல் கோட்டும், பூட்டும், தலைமுடி கலரிங்கோடு ஒரு பந்தாவான தோற்றம்.  யாரும் மற்றவர் காலைப் பிடித்து வாழ்வதை விரும்பாதவர். சாகும் தருவாயிலும், காலைப் பிடித்தால் உயிர் பிழைக்கலாம் என்ற என்றபோதும், தன் கொள்கையில் மாறாமல் மிளிர்கிறார். தன் குருநாதர் பாலச்சந்தரின் வித்தியாசமானப் பொருட்களைக் காண்பிக்கும் பாணியை மட்டுமே கொண்டிருந்தாலும், திரைக்கதையிலும், இயக்கத்திலும் சிறப்பாக செயல்பட்டிருக்கிறார் இயக்குனர் சரண்.

அப்படி ஒன்றும் அட்டகாசமாக இல்லையென்றாலும், பர்மாவின் செயல்முறைகள் சில "அட" ரகம்.  Alfred Hitchcock குறிக்கும் Refrigerator Movies (பார்க்கும்போது சுவாரஸ்யமாகவும், பார்த்தப்பின்னர் அசட்டுத்தனமாகவும் தோன்றும் படங்கள்) வரிசையில் "வட்டாரம்" இடம்பெற தகுதியுடையது.

The Man from Earth (2007)

Spaceships, aliens, time travel, eye-popping gadgets, robots are some of the things that comes to our mind when the word science fiction is used.  But, "The Man from Earth" consists none of the above and still achieves the mind-blowing awesomeness that only few science fiction movies manages to accomplish.

A professor resigns his job suddenly and is preparing to move out of town without attracting the attention of his colleagues.  But they turn up to bid adieu with a small farewell party and some nagging questions in their mind.  Why would a successful professor, who is the favorite for the next dean position wants to leave all of a sudden?  What is he hiding from others?  Why he looks younger than most of his counterparts of the same age and many more queries.

Upon further pushing and nudging, he slowly reveals that he is a prehistoric caveman who has lived more than 14,000 years.  At first, the colleagues take this as a joke and being intellectuals themselves, they start playing along by asking logical questions.  To their surprise, he provides quite convincing answers one after the other.  Slowly the colleagues see that it is possible that he may be an actual caveman, but could not come to terms to believe his stories.  The professor starts narrating how he took part in many historical events.  At one point of time, he reveals a stunning and audacious fact about himself which makes the colleagues furious.  Now the colleagues are not sure whether the professor is just toying with their minds or is he really sane?  

We too get played with our emotions and intelligence.  We are in the same position of the colleagues.  Though the facts looks convincing, we could never believe them.  Having setup a great build-up, I would say that this movie never lets us down at the end by cheap twists or resolve the questions by a deus ex machina.  And thats the most satisfying part of the movie when it respects our intelligence. The entire film is shot in a single room and few outside a house.  Who said that making a science fiction movie requires breath-taking visuals and loads of money?

The off-screen story of this movie is also a little bit interesting.  The story was written by an author in his death bed.  The producer struggled to release this film.  It was through the peer-to-peer sharing networks that his movie got much word-of-the-mouth recognition.  The producer was so overwhelmed by the response that he publicly thanked these networks and was even willing to release his future film(s) straight through the file sharing networks.  Wow.. that would be interesting!

Pleasantville (1998)

If you have seen "The Truman Show", you will like "Pleasantville" because both are similar but not essentially the same.  The main character(s) is trapped inside a TV show, but here they are sure about it than the doubtful Jim Carey. A brother-sister twins gets transported to a 50's sitcom, where everything is black and white and people who populate are innocents.  They don't even use a toilet. The basketball team never misses the loop even during practice sessions.  I can go on, but that would be revealing major interesting scenes of this movie.

The twins try to gel along the environment.  But the sister hates the goofy goodness surrounding her.  Both inadvertently start questioning and providing some insights on the world outside.  As one-by-one the characters experience a change in themselves, they turn into color while the other less enlightened people start seeing them as a threat to their existence.

The stunning scenes are when each color change happens and the reaction it gets from others.  Its really a fun to watch those.  When everything surrounding them changes, the twins remain in black and white and they don't know why.  Then they realize that though they induce most of the changes, they remain unchanged for most part and start searching within themselves.  When they gain the missing part of their lives, bingo...comes the color.

Assault on Precinct 13 (2005)

We all heard about opportunistic political alliances.  In fact every election in India is riddled with such a mockery of democracy.  But, this is a new kind of alliance.  A few cornered cops strike an alliance with their own prisoners to face a bunch of corrupted cops who are willing to go to any extent to save their asses.

"Assault in Precinct 13" happens on a new year eve.  The sergeant is a weary detective who has moved to a desk job to avoid making decisions that had killed his comrades in action.  When everyone has taken a day-off on the occasion, in his station, he now has a sexy secretary, a soon-to-be retired cop, his shrink on whom he has a crush.  A bad weather brings a prison transit van to temporarily halt at this police station.  The problem is that among the prisoners, we have a gangster cum cop killer who pose a great threat to whomsoever has him in captivity.

Soon, there is an assault launched into the police station.  The sergeant and others believe that this the work of the gangster's goons trying to release him.  But, when they realize that the target of attack is none other other than the gangster himself, they get confused.  Slowly it dawns on them that the attackers are also cops with stained hands.  If the gangster talks, they all has to accompany him to prison.  The sergeant's team is outnumbered and the only way to survive is to join hands with the prisoners and take on the trigger happy corrupted cops.

"Assault..." kept me guessing till the end.  Not whether justice will prevail because I knew it will.  I was looking for the typical talking-bad guy at the end, who even with a gun in hand will ramble long enough to be over-powered by somebody.  But, it didn't happen.  When the bad guy gets a chance, he never misses it.  There are some characters that wont normally die in these kind of movies.  But, this film kills whoever makes the wrong move.  I can sit back and enjoy these kind of movies without much problems

End of Watch (2012)

Two cops, their camaraderie, their personal relationships, their daily patrolling and their adventures form the major chunk of "End of Watch".  Beat cops on patrol are always in the verge of a death because their dangers are lurking behind seemingly harmless situations.  It could be a simple door check for a complaint on a noisy neighbor, but who knows what the neighbor is capable of?  I was never able to predict which scene would turn violent and which one would be normal.

On on of their typical day on road, they accidentally spoil a drug cartels distribution plan.  Since they are smarter, they sense something big is going on and become over-zealous and cross the line to do some detective work as well.  Now the drug mafia wants them dead.  With valor as their companion, the duo goes on doing their duty even ready to pay the ultimate price.

I hate hand-held scenes and unfortunately this movie is shot mainly using this technique.  But I have to agree that it gives a sense of being there and experiencing real events.  I also liked the car mounted and gun mounted camera usage.  On the flip side sometimes, I don't know whats happening.  Nevertheless, I was drawn into the movie and the thrills it provided.

Some scenes are gruesome and there is a shocking climax too.  But, everything fitted aptly for a good cop crime action film

Thank You for Smoking (2005)

I am often curious how some guys get the best out of any situation.  Even when they are holed out in a corner with apparently no options, they not only come out of the tight situation but convert it to their advantage.  One such guy is our hero.  He is a tobacco lobbyist, who is very good in smooth talking against anti-tobacco campaigns.  He along with a weapon and an alcohol lobbyists form the MOD (Merchants of Death) squad.

Look at the situations that he gets into.  He is cornered in a live TV show with a patient who has just recovered from tobacco addiction.  He is assigned to silence a bad mouthing former Marlboro Man, who is very shrewd and can't be fooled easily.  He gets involved with a reported who back stabs by revealing his game plan.  He gets kidnapped and almost killed by forced nicotine patch abuse.  From all these problems, he emerges a little scathed but ultimately successful.

There is no soul-searching on moral correctness of the protagonist.  Just like the negotiator in "Unthinkable", he is just doing his job with a monk-like detachment. His son admires his adventures and inherits his legacy by winning in the school debate competition.  I was also admiring all along making mental comparisons with similar personalities I have met.  Their knack of getting successful still eludes my tiny little intelligence.

Little Miss Sunshine (2006)

An almost dysfunctional family embarks on a road-trip for their daughter to make it to the beauty pageant competition.  The father is an unsuccessful self-motivational speaker who couldn't use his own step-by-step development program for his own life.  His son is kind of a freak, who takes a vow on silence until he becomes a pilot.  The daughter is a cute little kid who is in cloud nine after hearing that she is qualified for the beauty contest.  Her trainer cum grandad is recently sent back to family from an old-age home because of his drug addiction.  The mother is a weary home-maker that ties this family together.  As if there is not enough tragedy to this family, a suicidal and gay uncle joins them in their journey towards self-realization.

Although the son never talks, he shares a quiet and deep connection with his sister.  She is the only one who could console him when he realizes that his dream of becoming a pilot is not possible.  The grand-dad also shares a close relationship with his grand-daughter.  His demise brings an unexpected closeness to an emotionally indifferent family.  The Uncle's depressions further worsens when his gay partner switches loyalty towards his arch rival.  Even the van in which they travel develops problem with the gears.  It looked like only the daughter is relatively saner than anybody and she is less depressed about the proceedings apart from the last minute stage-nervousness.


In all road movies, the travel is most important than the destination.  But, in "Little Miss Sunshine", both the travel and destination are quite satisfactory.  When we expect a feel good ending of an underdog wins a contest, the movie makes a very smart and unexpected twist in the end.  It makes a mockery of the contest that was revered throughout the film.  Till that time, it was a good movie, but the twist makes it even better.